How to make fasteners for products and the depth of the half-skid. Since we have previously looked at many models without a fastener, today we will talk about how to model a product with a fastener based on a cut according to the 10-measurement system.

Much has been written in the literature on the subject of clasps, but without specific recommendations, so I have reworked the material and will show you in practice so that you know how to sew correctly.

the most important thing in sewing is to work out the basic pattern

This material will help you master new processes and diversify your wardrobe; you will sew yourself various models with a fastener: blouses and dresses, capes and jackets, raincoats and coats. In this video you will learn the topic of how to cut fabric with a pattern on reliefs.

From the basic pattern we trace our main pattern for the front, back and sleeves. Now we will cut the blouse with allowances for the fastening, so that we can then make loops and buttons for the fastening.

Using modeling and design, we create what we want, but for this we use a basic pattern. In order to competently work with a basic pattern, you must remember once and for all that a basic pattern is not a thing, but just a starting point for constructing a pattern of any style.

Based on the basic pattern, we draw new lines for the neckline so that it does not dig into our neck, we work with the armhole line - it can be deepened, we work with the shoulder line, we can move the line side seam, make changes to the location of darts, etc.

In this case, to create a blouse pattern, we deepen the armhole line by 1 cm, but remember that nothing can be removed from the width of the armhole. I remove 1 cm from the neck and sprout lines.

Without separating it into a separate topic, I am now showing you the topic of how to work with a product on reliefs. In order to carve out reliefs from the line bust dart We cut the pattern through the dart along the waistline and down. Also, according to the back pattern, we cut the relief along the shoulder dart.

The front and back are ready to be cut out of fabric. Since our blouse will have a relief along the front and back, we cut the pattern into separate parts, but there will be no central seam along the back, only reliefs. And we cut out the shelf with a one-piece border, it will simply bend while sewing the blouse.

When you lay out the pattern on the fabric, draw a line for the center of the front and set aside the distance of the width of the half-skid.

The width of the half-skid is the line from the center line of the front to the fold line of the fabric or the edge of the side, if it is a cut-off edging, and not, as we have in this case, a one-piece edging. This is a distance of 1.5 cm on both sides from the line of the center front of the shelves. As a result, there will be a smell of 3 cm on the blouse, because for a blouse this distance must be exactly 3 cm and nothing else is allowed. For sewing a skirt with buttons or a dress with buttons, the width of the half-skirt will be 2 cm. If you sew a heavy jacket, then the width of the half-skirt will be 2.5 - 3.0 cm. The width of the half-skirt for a double-breasted product (coat, jacket, raincoat) will be from 6 up to 8 cm, see table

Copy the table so that information on this topic is always with you and helps you in creating patterns for products with a fastener and so that your work, taking into account the knowledge acquired, is always performed at a high professional level.

Most often you will have a cut-off hem, then you need to add 0.7 cm seam allowance to the half-seam width line.

There is a rule for sewing items with a fastener: the center front line of both shelves along the center front line must always coincide!

To ensure that the front center line is always in front of you, you need to apply it evenly with a spacer stitch using a needle and thread. This thread along the line of the interfacing seam is removed only after all the work is completed, when you are convinced that the product fits you perfectly and does not require adjustments in either cutting or sewing, when the product is completely ready, loops are made, buttons are sewn on, then the thread can be carefully removed .

If this rule is not followed, you will have problems with the shoulder line and with the fit on the chest line and other defects.

We start cutting, when we cut out parts with reliefs, we leave a seam allowance of 1 cm. We transfer all the necessary notches along the waist line, if the fabric is very delicate then we make a mark with thread. The pattern is ready, all that remains is to cut out the sleeve.

On the sleeve pattern, mark the top of the sleeve and the front part with a notch. After this, we put the sleeve aside. Since we are not working with it yet, the semi-skid and fastening line are important to us. On all cut details we mark the wrong side, since the fabrics are different and sometimes it is difficult to distinguish between the front and back sides.

We begin to work with the central part of the shelf. In the photo we see two lines: the center of the front and the edge of the side, i.e. the half-skid line, the distance between them is called the half-skid width.

It is important to know and remember that all women's clothing is fastened from right to left, even if it is a fastener in the center of the front, even with an offset towards the side seam, or on the back, as well as the vent on the skirt, both in front and from the back, is also laid from right to left . All men's clothing has the fastener reversed, from left to right.

We first lay pins along the front center line to transfer this line to the second part, then we sew this line with thread. We work in the same way with the side edge line.

We will iron the edge line. Clearly following the fold line laid by the thread, we bend the fabric and iron both shelves along the entire length, check the width of the half-skid 1.5 cm and go on to work.

Then we will start collecting all the details of the blouse cut.

After these lines are laid and ironed, we begin to connect the reliefs.

The difficulty in sewing reliefs is that we need to connect two parts in which the fabric is cut both along the lobar and on the bias, so as not to spoil the cut or stretch the fabric, we do everything very delicately and carefully.

When connecting such parts, the fabric should lie without tension, otherwise the product will have an unattractive fit on the chest. There may be excess fabric, but you should not interfere with the fabric or try to adjust it when basting. It’s better to cut off this excess later.

Alignment can be done only after the entire product (left and right shelves) are ready. We cut off the resulting excess after laying out both parts of the shelves.

After this, we connect the shoulder seams. And when basting along the shoulder line, we see how perfectly the details of the product match! After this, we do a fitting to make sure that the cut and reliefs are correct.

And we will continue to study how the loops and buttons should be located relative to the center of the front and the width of the half-skid, how we change the width of the half-skid with large buttons on jackets. Loops in products can be horizontally or vertically located. If we have horizontal buttonholes, then the edge of the buttonhole should coincide with the center of the front and the button should be located exactly in the center.

The vertically positioned loop must be positioned exactly in the center. The size of the buttons should correspond to the width of the skid; if the buttons are large, increase the width of the skid.

Pay attention to the reliefs - with proper basic basis, the reliefs are very neat, the fit on the chest is perfect, there is no excess anywhere.

The fit on the back is equally perfect.

In the next video, based on this blouse, we will work on the topic of sleeves and armholes: how to sew a sleeve, how to iron it, how to plant it, how to hold it, how to sew it in, how to process the fabric with an overlocker, I will show you how to iron the armhole, i.e. you will see all technological processes and tailoring tricks and nuances of sewing set-in sleeves.

People often ask what to do if the sleeve is too tight? Measure your arm circumference. If you measured correctly and added CO=3 cm, it cannot be tight. If the size is large, try setting the CO not to 3 cm, but to 4 or 4.5 cm. Both the sleeve and the armhole will increase, this is good, but the product may be loose and during fitting, the excess can always be removed a little in the side seams.

If you watched the material and liked the video, write comments, ask questions, and share this information with your friends. I am very pleased to share my knowledge and many years of professional experience with you. Use our experience and knowledge to improve your skills. Thank you for being with us, for watching and subscribing to our channel. All the best, I was with you, Paukshte Irina Mikhailovna!

1. Trace the contours of the front pattern.
2. Give expansion along the hip line: B 1 6 = 1 - 1.5 cm.
3. Connect point b to point B 10 and extend to the bottom line, mark the point with the letter H. The resulting straight line is the middle of the front.
4. Set aside the half-skid value (side width) to the right of the middle of the front, draw a straight line parallel to the line of the middle of the front. Mark the top and bottom points with the letters B, H 1 - edge of the side; At 10 in - lapel ledge.

Dependence of side width on fastener type

1. One-piece collar with a fastener all the way to the top (position a in the picture below). From the edge of the bead in H 1 to the right, set aside the width of the edging, equal to: the width of the bead + 4 - 6 cm, in 1 H 2 H 1 - a one-piece edging.
2. Stitched collar with fastener to the top (in the picture below, position - b). From the edge of the side BH 1 to the left, set aside the width of the border equal to 4 - 6 cm, BB 1 H 2 H 1 - the border.
3. Stitched collar with an open fastener (position c in the picture below). From point B 9 to the left along the shoulder slope, set aside 3 - 4 CM, B 9 B 1 = 3 - 4 cm. From point G8 to the right, set aside 4 - 5 cm, G 8 g = 4 - 5 cm. Connect the points at 1, g. From point d, parallel to the edge of the side, draw a line to the bottom line, place point H2, at 1 B 9 in H 1 H 2 - pick up.

a - one-piece with a fastener to the top,
b - stitched with a fastener to the top,
c - stitched with an open fastener.

The position of the hinges depends on the product model. In products with a fastener to the top, the first loop is placed from the top at a distance of the diameter of the button. In products with a central fastener, the beginning of the loop is moved beyond the half-skid line by 0.2 - 0.3 cm towards the side, and then the length of the loop is marked towards the side seam.

The length of the loop is equal to the diameter of the button plus 0.1 - 0.2 cm. The distance between the loops depends on the model.

Practical work

Dress style development.

Tools and accessories: work box, model sketch, fabric samples.

Progress

1. Draw a sketch of the model.
2. Indicate what size and height the product will be made for.
3. Make a description appearance models.
4. Select from the collection samples of fabrics suitable for sewing this model.
5. Calculate the amount of fabric required to sew this model.
6. Perform modeling (move the dart, change the neck configuration, build a bead and a hem).

Model description

See the picture -

Cotton robe dress (155 - 88), one-piece, straight silhouette; with lace trim, pocket corners are rounded. The neckline is oval. The armhole and neckline are finished with a hem. Button closure.

Calculation of the amount of fabric for sewing a robe. The amount of fabric is equal to Di*2+15 - 20 cm. Di - 97 cm. Required amount of fabric: 97*2+20=214 cm.

Practical work

Preparing the pattern for cutting.

Tools and accessories: working box, drawings of the robe base with modifications.

Progress

1. Apply notches (they are needed to correctly connect the parts of the product; they are placed at the intersection of contour lines with the lines of the basic grid of the drawing: chest line, waist, hips).

1 - facing of the back armhole;
2 — facing of the front armhole;
3 — facing of the back neck;
4 - facing of the front neckline (width of facings 3.5 - 4.0 cm).

2. Place seam allowances on all cuts.

Seam allowance values

Name of part, section	Allowances, cm
Along the neck line	0,7—1,0
Along the shoulder section	1,5—2,0
Along the side cut	2,0—3,0
Along the armhole line	0,7—1,0
At the bottom of the product (straight dress)	5,0—7,0
By belt cuts	1,0
According to cuts of facings of the neckline, armholes	0,7—1,0
Along the top edge of the patch pocket	2,5—3,0
Laterally and lower cuts patch pocket	0,7—1,0

3. Make inscriptions on the patterns: indicate the name of the product, its size and height, number of parts.

Questions and assignment

1. How does the warp thread go on the back, shelf?
2. What is the size of the seam allowances along the main sections of the back and front?
3. Make a life-size pattern for the product.

“Service labor”, S.I. Stolyarova, L.V. Domnenkova

Product clasp is decorative and at the same time functional element in open clothes(Fig. 2.11).

Rice. 2.11. Clasp options

It allows you to freely put on and take off the product, as well as create a specific composition. The fastener can be designed in any line of division - front, back, side. A wide variety of fasteners is achieved by varying their depth, width, height and type.

There are different fasteners central and offset, end-to-end, cut-through, through, hinged, hidden (supated), on a bar, closed and open to a certain level, with and without a lapel. According to the materials used– with buttons, snaps, hooks, ties, with zippers, Velcro, with magnets, with laces, etc.

Depending on the type of fastener, different side width (half-skid size)Shb . It is determined by the distance from the middle of the front (half-skid line) to the edge of the side. The width of the side, Shb, depends on the type of product, season, and fashion.

At butt fastener on closed zipper the edge of the bead coincides with the half-skid line; an allowance of 1.0 - 2.0 cm is given for processing the bead. Similarly, for hinged loops or when lacing, only a processing allowance of 1.0 cm or 0.7 cm for turning the bead is taken into account.

At open zipper the edge of the side is shifted towards the armhole by the width of its open link.

When designing central clasp(single breasted) take into account the overlap of one side edge by the other (Fig. 2.12). In general, the width of the bead is determined as ¾ (0.75) of the diameter of the button Dp and the distance P between the edge of the button and the edge of the bead, i.e. Shb 1 =0.75Dp + P,

where P=0.5÷1.0 cm. If the product has a finishing stitch along the edge of the side, its value Shotd is also taken into account.

In general Shb 1 =0.5 Dp + P + Shotd,

Rice. 2.12. Designing a central fastener.

On rice. 2.13 a diagram of the arrangement of loops and finishing buttons for offset clasp(double breasted). Maximum value Shb 2 does not exceed the Tsg measure.

In general Shb 2 =0.5P + 0.5Dp +P + Shotd.;

where P is the distance between the buttons.

For placket fasteners its width Shpl is defined as twice Shb: Shpl = 2(0.5Dp + P + Shotd).

The loops on the placket, as a rule, are marked vertically along it so that the upper end of the loop goes up beyond the middle of the button. Bottom loop should be located at a distance not less than the distance between the buttons from the bottom line of the product (Fig. 2.14).

Loop location are considered both in relation to the half-skid line and in relation to the upper and lower edges of the product. In products with a central fastener (Fig. 2.12) the loop should extend beyond the half-skid line by 0.3 - 0.5 cm (depending on the thickness of the button) towards the side, so that the “leg” of the sewn button in the buttoned product is exactly on the half-skid line.

Top loop in products with a fastener to the top, they are placed down from the top edge of the side at a distance of 0.5Dp + P + Shotd ( rice. 2.14). In dresses and blouses this is 1.5 ÷ 2.0 cm, in coats – 2.5 ÷ 3.5 cm.

Lower a loop V top clothing should be at the level of an outstretched arm (approximately at the level of the pubic point), which allows you to fasten the product without bending over and does not interfere with walking. IN jackets and blazers– installed at the level of the side pocket. IN blouses– no less than the distance between buttons.

Rice. 2.13. Layout of loops and finishing buttons for offset fastener

Rice. 2.14. Designing a fastener for a placket

Loop length determined as the diameter of the button Dp + (0.2 ÷ 0.5) cm, i.e. it should be 2÷5 mm larger than the button, depending on its thickness (Fig. 2.12): Ln= Dp + (0.2 ÷ 0.5) cm.

In products adjacent and semi-adjacent silhouettes the position of loops and buttons should correspond to the levels of convex and concave areas of the body surface, i.e. levels of the chest, waist and hips to fix them.

In products straight and free silhouettes The loops are oriented in relation to the level of the side pocket (not lower than its lower edge).

Button spacing the product is usually uniform, but there may be uneven groupings of loops and buttons according to the model.

IN women's clothing loops located on the right shelf, in male- on the left.

For jackets and blouses, you need to understand the options for constructing the sides of the products.

What is a board?

The bead is the edge of the product with the fastener. And depending on the type of fastener, we choose the option for constructing the side.

What types of fasteners are there?

1. Fasteners in products can be single-breasted, double-breasted or butt.

1) Single-breasted, (central), fastener has one row of buttons, snaps, or zipper.

2) Double-breasted (offset) fasteners have two rows of buttons located symmetrically to the line of the middle of the front. You can find an offset fastener with one row of buttons or a zipper along the edge of the side.

3) Butt fasteners, usually with a zipper or with hanging loops.

2. Fasteners can be up to the top or open.

1) in fasteners to the top, the buttons are located from the neck to the bottom.

2) in open fasteners, the buttons are located after the flap, i.e. lapel.

3. Another type of fastener is a secret one. The concealed clasp conceals the hardware in a folded fold. By the way, what is selection? Picking is back side sides.

4. The next type of fastener is a placket fastener. The plank can be one-piece and stitched.

Construction of boards

1. Construction of a side with a central fastener to the top

From point A5 up or down (depending on the model), set aside the amount of descent or rise of the neck and place point A6. We set aside from point A6 an amount equal to the width of the side and put a point, for example, A61. The width of the border for products with a central fastener is determined by calculating the diameter of the button + 0.5-1 cm.

From point A61, lower the vertical until it intersects with the bottom line. Thus, our board is built.

The position of the hinges depends on the type of board and model. In products with a central fastener, I recommend placing the top loop at a distance equal to the diameter of the button from the neck line. The distance from the edge of the bead to the beginning of the loop is also equal to the diameter of the button.

The distance between the loops also depends on the type of product. In outerwear, the distance between the loops is 12-15cm, in light dress smaller – 8-12cm. If your model is fitted, there must be a loop at the waist line.

The length of the loops is equal to the diameter of the button + 0.2-0.5 cm (for convex, voluminous buttons, the length of the loops is increased, for flat ones it is reduced).

2. Constructing a side with an offset fastener to the top

When constructing a side with an offset fastener, we do the lowering or raising of the neck similarly to the first example.

The width of the side for products with an offset fastener is 5-9 cm for a jacket and 8-12 cm for a coat.

The length and position of the loops relative to the neck line and relative to the edge of the bead are similar to the length and position of the loops of a single-breasted product.

3. Construction of a central fastener with an open side

A special feature of the open side clasp is the presence of a lapel. What is a lapel? A lapel is a part of the side that folds over the product.

We continue the shoulder line of the shelf to the right from point A4 and set aside the height of the stand minus 0.5-1 cm on it and put point B. The height of the stand on average in a jacket is 2.5-3 cm, in a coat 3.5-4.5 cm.

A4B stand height – (0.5-1 cm).

Determine the position of the top loop. On the line of the edge of the side, at or above the level of the top loop by 0.5-1 cm, place point L.

Let's connect points B and A with a straight line. This is the fold line of the lapel.

We denote the point of intersection of the neck line with the inflection line of the lapel with the letter F. To the right of the point F we set aside the length of the opening FA7.

What is a excavation? The raskep is the section of the side from the fold line of the lapel to the beginning of the lapel ledge, or in other words, the junction of the collar and the lapel. The size of the opening is from 1 to 8 cm (in accordance with the model, fashion).

We design the directions of the lapel ledge, as well as its length and width according to the model, i.e. at your discretion.

4. Construction of an offset fastener with an open side

We construct an offset fastener with an open side in the same way as the previous construction. The only difference is the width of the side and the position of the loop relative to the center line of the shelf.

5. Construction of a fastener on a bar

From point H1 we set aside the value of the planned strap/2 to the left and continue upward until it intersects with the neckline. Let's put points H11 A71. Line Н11А71 – line for grinding the strap. Accordingly, the length of our bar will be equal to the segment H11A71. Width according to model.

These are the types of fasteners and the principles of constructing the sides that I wanted to tell you about today! Write comments, ask questions, or make your own comments!

© Olga Marizina

Details of clothing and their design varieties

Shoulder and waist products

Bow- a hidden trouser fastener, consisting of a codpiece and a slope.

Board- left or right edge of the shelf outerwear(coat, raincoat, jacket, etc.), on which loops or fastener buttons are located.

Barrel- a cut-off part of the front (front) and (or) back, covering the side surface of the body.

Bretel- a detail of a product in the form of a ribbon, a strip of material to support it on the shoulders (women's shirt, sundress, bra, etc.).

Hanger- a detail of a product made of materials, tape, metal chain for hanging.

External pocket- pocket located on outside main parts of the product (front, half of the trousers, etc.). Can be front, back, side, horizontal, vertical, oblique. The entrance to the pocket can be decorated with a flap, facings, leaflet, or zipper. It is an important element of the decorative design of the product.

Inner pocket- a pocket located on the inside of a coat or suit (front, lining, lining, seam connecting the lining to the lining). The entrance to the pocket is most often fastened with a button and loop.

Collar- a part or unit of a product for processing and designing the neckline. It may consist of an upper and lower collar, have a different design, the height of the stand and the nature of the inflection line, the degree of fit to the neck, the configuration of the edge, the design of the ends, the width of the rise, etc. According to the design, the collar can be set-in, one-piece, turn-down, stand-up, turn-down, transforming into a hood, removable, with or without padding, etc.

Collar-apache- a type of stand-up, one-piece collar, connected at an angle to small lapels.

Golf collar- a high collar that fits tightly around the neck, often with lapels.

Turn-down collar- a collar that softly fits the back of the neck, with the ends lying loosely on the chest. The departure line and ends can have a variety of shapes (rounded, sharp, blunt, short, long, etc.).

Turn-down collar with stand(shirt) - turn-down collar, whose base is a stand.

Stand collar- a collar in the form of a straight strip of material that fits tightly around the neck.

Shawl collar- a round-shaped turn-down collar, one-piece with sides, tightly covering the back of the neck and lying softly on the chest like a shawl.

Set-in sleeve- a type of sleeve sewn into an oval armhole, having a clearly defined edge, differing in the width and depth of the armhole.

Codpiece- the upper part for processing the hidden fastener of the front half of the trousers, intended for loops, buttons, zippers, textile fasteners. Sometimes this is the name for a hidden fastener at the front of a coat or raincoat.

Dwar clasp - secret fastening of coat products (coat, jacket, raincoat) with buttons and a zipper at the same time.

Double breasted fastening- offset side fastener with buttons on both shelves of the product with a greater overlap of one shelf over the other than with a single-breasted fastener.

Dolevik- a piece made of interlining fabric to protect the pocket cut from stretching.

Clasp- a device for fastening, a necessary element of most types of clothing, allowing you to freely put on and take off clothes and create a certain volume. The clasp can also serve as a decorative trim. In swing clothing it is usually located in the center of the front (central fastener), in asymmetrical clothing it is shifted to the side (offset fastener). It can be single-breasted or double-breasted, see-through or hidden. In waist and shoulder clothing, worn over the head, it can be located in the front, side, or back. A variety of accessories are used for fastening (buttons, snaps, buckles, zippers, hooks and loops, textile fasteners - Velcro, Velcro, burdock, etc.).

Hood- a stitched or removable part or knot of outerwear that covers the head and is attached along the neck line.

Pocket- a part or assembly of a product for storing light objects and (or) decorative decoration. Pockets differ in location, direction, shape, design, size, and finish. Based on their location on the product parts, pockets are divided into external and internal. By design, pockets can be welt, patch, located in the seams, and have different entry directions.

In-seam pocket- an external pocket - in the seams and relief of the front, in the seams connecting the yokes with the shelves, etc., or an internal pocket - in the seams connecting the lining with the ribs.

Valve- a detachable part of welt and patch pockets for processing the upper cut line or being an element of the decorative design of the product (pocket with a flap). The valve can have different shapes (rectangular, triangular, with rounded edges, etc.), corresponding to the shape of the pocket.

Yoke- a cut-off part or assembly of the upper part of the front (front), back, sleeves, as well as skirts and trousers. It can be stitched, laid on, or folded over.

Combined sleeve- a sleeve that combines two cuts - set-in and raglan, set-in and one-piece, raglan and one-piece.

Kuliska- a part of a product in the form of a strip of material, stitched on the front or back side, used to pull through a belt, cord, elastic band, ensuring its ties along any area (usually along the waist or hips).

Gusset- insert in shoulder clothing at the bottom of the armhole in products with one-piece sleeves or raglan sleeves, providing freedom of arm movement. The shape of the gusset is varied: diamond-shaped, rectangular, triangular, complex, etc.

Lapel- the upper, folding edge of the side.

Lei- a part of a product made of lining material, covering on the wrong side of the trousers the junction of the middle seam (seat seam) with the crotch seams (the seams connecting the halves of the trousers on the inside).

Leaflet- a pocket detail made of the main material for processing the cut line, fixed on the sides, or being only an element of the decorative design of the product, imitating a pocket with a leaf. The leaf can be one-piece or consist of two parts. The most stable shape of the leaves of the upper pockets in men's jackets.

Hinged (attached) loop- a loop sewn to the part. It can be made from braid, stitched and turned strips of material, cord, chain woven from threads.

Bib- a detail of a shoulder piece covering part of the torso in the chest area.

Overlay- a part or assembly of a product to increase the wear resistance and (or) protective properties of individual places (knee pads, elbow pads, etc.), as well as for decoration.

Patch pocket- a pocket, to obtain which the upper part of a pocket of various shapes is customized onto a part of the product. The upper unstitched edge is the entrance to the pocket. Most often used in dress items and men's outer shirts. Folds, appliqué, and embroidery can be made on the pocket; The edges of the pocket can be trimmed with piping, frill, lace, etc.

Turning- a part made of the base material in the form of a narrow strip for processing the cut of a pocket or fastener.

Single breasted closure- central side fastener with one row of buttons and one row of loops on products with a slight overlap of one shelf over another.

Okat- a rounded protrusion at the top of the sleeve.

Basic details of sewing products- parts that form the basis of the structure, for which drawings are developed. Main details of shoulder products: front (front), back, sleeves, collar; waist - halves of trousers, panels of skirts, belt.

Slope- the lower part of the product for processing the hidden fastener of the front half of the trousers, intended for sewing on buttons, zippers, snaps, textile fasteners.

Collar flap— a folding part of the collar located above the top line of the stand (there is no stand in the collar).

Before- the front part of the product with a cut that does not reach the bottom of the part, or without a cut, one-piece or consisting of parts.

A loop- part of the product for fastening with buttons. It can be slotted, hinged (attached), overcast, overcast, corded, threaded, etc.

Plank- a detail of a product in the form of a set-in, stitched or stitched strip of material for processing and decorating the edges of the fastener.

Shoulder pad- a detail to give a clear shape to the shoulder part of the product. The design and shape depend on the type and model of the product; the most complex (multilayer) is the shoulder pad of the coat.

Pick-up- part of the product for processing the edges of the front cut (reverse side of the side).

Backtack- a detail of the product that protects the junction of the middle seam of the trousers with the trousers from stretching.

Valance- a pocket piece made of base material that covers the lining at the pocket opening.

Lining- a part or assembly of a product for decorating it on the reverse side, made of lining materials with a smooth surface and a low coefficient of friction to facilitate putting on and taking off. The lining can be insulating.

Half trousers- a detail of the product, left and right, covering the lower part of the torso and leg. May consist of front and back parts.

Skirt panel- front and (or) back part of the product, covering part of the torso and legs, one-piece or consisting of parts.

Polachka- the front part of the shoulder product with a slit reaching to the bottom, part of the front, one-piece or consisting of parts (Ndp. shelf).

Concealed clasp- hidden, invisible. The outdated name is supatnaya.

Belt- a detail of a product for fixing it on a person’s figure and (or) for decorative design. By design, the belt can be fastened (with a button, buckle or hook) and tied (with a knot, bow).

Armhole- a cutout for the arm, as well as a line connecting the sleeve with the front (front) and back.

Pad- a part or assembly of a product to impart rigidity, shape stability or heat-shielding properties, is located between the upper and lower layers of materials.

Slit loop- a loop made directly on the part: a slot processed with two facings (narrow strips of material) or overcast with zigzag stitches. The overcast loop can be straight or with an “eye” in which the “leg” is located - for buttons sewn on the “leg”.

Welt pocket- a pocket, to obtain which a part of the product is cut through. The slot is the entrance to the pocket. The welt pocket is most common in coats and suits.

Raglan- a type of sleeve cut with part of the front (front) and back.

Sleeve- a part or assembly of a garment covering the hand. The sleeve may consist of upper, lower, back and (or) front parts; have different lengths (long, short, three-quarters); different designs (one-seam, two-seam, three-seam, set-in, raglan, one-piece, combined); design of the bottom (with a vent, with a cut in the seam, on the cuff, with hem processing).

Pull-through clasp- open clasp.

Back- the back part of the shoulder product, one-piece or consisting of parts.

Collar stand- the vertically located part of the collar, which forms its folding part, can be cut separately or one-piece with a flap.

Hlyastyk- a detail of a product that serves to regulate the degree of its fit to the body and (or) decorative design. Most often, one end of the strap is sewn into the seam, the other is free.

One-piece sleeve(kimono) - a type of two-seam sleeve, cut together with the upper part of the front (front) and back. It can have different armhole depths; with the armhole depth reaching the waist line, the sleeve is called a “batwing”.

Cup- part of the product covering mammary gland, one-piece or set-in, round or oval.

Belt belt- a product detail in the form of a narrow, folded in half and processed strip of material for holding and holding a belt, belt, shoulder strap or strap in a certain position.

Strip- a part of the product in the form of a strip of material, attached to the bottom of the trousers to hold them taut.

Finishing details

Application- a detail for the decorative design of a product, sewn or glued, which is a design made on the material by printing, embroidery, and other methods. To make the design convex, cotton wool, padding polyester, etc. are placed between the base and the appliqué.

Bow- a detail for the decorative design of a product in the form of a ribbon tied in several loops, removable or non-removable.

Basque- a detail of the product for decorative design in the form of a flared strip of material, sewn along the waist line or removable.

Beika- a part of a product for decorative design in the form of a single or doubled strip of material, sewn between the parts or customized on them along two longitudinal sides.

Shuttlecock- a detail of a product for its decorative design in the form of a wide strip of material, cut mainly in a circle, connected to the product along the edge of one longitudinal side, the design of which ensures the formation of a wavy free edge.

Tie- detail of the product for decorative design in the form wide tape, tied in a knot under the collar with loose ends.

Jabot- a removable piece made of lightweight materials or lace for decoration at the collar, with gathers, folds or ruffles, attached to the collar at the front of the neck.

Coquille- a removable part for decorative design and finishing of women's dresses and blouses. It is cut out in the form of an oval, a circle, a strip in a spiral, single or double layer, attached to the front of the neck.

Frill- a detail for the decorative design of a product in the form of a strip of material, cut across or at an angle of 45° to the longitudinal threads, gathered on one side into a gather or fold and connected by the assembled edge to the product. May be lace. The frill is already flounced. Used for finishing dresses, blouses, etc.

Pata- product detail rectangular shape for decorative design, stitched or sewn into a seam at one end, and fastened with a button, snap, or textile fastener at the other. Used in coats, raincoats, jackets, jackets, men's overshirts, blouses.

Shoulder strap- a part or unit of a product in the form of a strip attached to the product in the shoulder area for its decorative design. Used in coats, raincoats, jackets, jackets, men's shirts.
Source www.znaytovar.ru